William Walton, Richard Hickox, City of London Sinfonia, Richard Baker, Susana Walton's 'Façade 2: V. The Octogenarian' came out on September 1, 1990. With Façade 2: V. The Octogenarian being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Walton: Façade by William Walton, Richard Hickox, City of London Sinfonia, Richard Baker, Susana Walton. The song's track number on the album is #28 out of 31 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Façade 2: V. The Octogenarian is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
Since Façade 2: V. The Octogenarian by William Walton, Richard Hickox, City of London Sinfonia, Richard Baker, Susana Walton has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Façade 2: V. The Octogenarian being at 108 BPM, the half-time would be 54 BPM with a double-time of 216 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Sailing By | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
Prelude in C Major, BWV 846 | Johann Sebastian Bach, Alistair McGowan | C Major | 1 | 8B | 122 BPM | ||
Polovtsian Dances from Prince Igor (piano arr. by L. Faulkner) | Alexander Borodin, Luke Faulkner | A Major | 1 | 11B | 72 BPM | ||
Sicilienne (Arr. by Söllscher) | Maria Theresia von Paradis, Jian Wang, Göran Söllscher | F Major | 0 | 7B | 112 BPM | ||
16 Waltzes, Op. 39: No. 9 In D Minor | Johannes Brahms, Idil Biret | B♭ Major | 0 | 6B | 62 BPM | ||
Pavane for a Dead Princess | Philharmonic Orchestra, Stephanie Chase, Han De Vries, Geoffrey Simon | G Major | 0 | 9B | 73 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM |
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