"Pavane for a Dead Princess" by Philharmonic Orchestra, Stephanie Chase, Han De Vries, Geoffrey Simon was released on February 3, 2009. Since Pavane for a Dead Princess is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Ravel: Five O'Clock Foxtrot, Boléro, Pavane for a Dead Princess, La valse, et al.". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Pavane for a Dead Princess is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pavane for a Dead Princess by Philharmonic Orchestra, Stephanie Chase, Han De Vries, Geoffrey Simon having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
The Marriage of Figaro, K. 492, Act I: But why did you wait till the day of the wedding (Bartolo, Marcellina) | Wolfgang Amadeus Mozart, David Parry, Philharmonic Orchestra, Jonathan Veira, Frances McCafferty | A Minor | 0 | 8A | 82 BPM | ||
Hansel & Gretel, Act II: A dwarf stood in the forest (Gretel, Hansel) | Engelbert Humperdinck, Sir Charles Mackerras, Philharmonic Orchestra, Jennifer Larmore, Rebecca Evans | B♭ Major | 2 | 6B | 100 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Christopher Warren-Green, Philharmonic Orchestra | F Major | 1 | 7B | 85 BPM | ||
Waltz of the Knells | Joshua Kyan Aalampour | B Minor | 2 | 10A | 170 BPM | ||
The Thieving Magpie: Allegro | Gioachino Rossini, David Parry, Philharmonic Orchestra | F♯ Minor | 2 | 11A | 97 BPM | ||
Concerto in F, after BWV 1053 (arr. Hermann Töttcher & Gottfried Müller) (1987 Digital Remaster): II. Siciliano | Johann Sebastian Bach, Han De Vries, I Soloisti di Zagreb | D Minor | 2 | 7A | 166 BPM | ||
Antar (After N. Rimsky-Korsakov): No. 7. Ravel: Allegretto | Maurice Ravel, Andre Dussollier, Orchestre National De Lyon, Leonard Slatkin | F Major | 0 | 7B | 138 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM |
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