"Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna)" by Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado was released on April 29, 2008. With this song being about 5 minutes long, at 4:53, "Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna)" by Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 40 Most Beautiful Arias (international version), so we believe that "Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna)" is a single. The popularity of Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) by Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Widow (Die lustige Witwe) / Act 1: Ich bin eine anstän'dge Frau | Franz Lehár, Heinz Hoppe, Lucia Popp, Grosses Operetten Orchester, Franz Marszalek | C Major | 4 | 8B | 58 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Die lustige Witwe: Lippen schweigen, 's flüstern Geigen | Franz Lehár, Angelika Kirchschlager, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | G Major | 1 | 9B | 87 BPM | ||
La Gioconda / Act II: "Cielo e mar" | Amilcare Ponchielli, Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | E♭ Major | 2 | 5B | 80 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Catalani: La Wally, Act 1: "Ebben, ne andrò lontana" (Wally) | Alfredo Catalani, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | E Major | 1 | 12B | 84 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Heut' Nacht hab' ich geträumt von dir | Emmerich Kálmán, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | E♭ Major | 2 | 5B | 80 BPM | ||
Serse, HWV 40: Ombra mai fu | George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 1 | 12B | 135 BPM |
Section: 0.9165847301483154
End: 0.9221763610839844