"Sonata for 2 Violins and Basso Continuo: II. Andante" by Pietro Locatelli, Florilegium was released on January 1, 2007. The duration of Sonata for 2 Violins and Basso Continuo: II. Andante is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Sonata for 2 Violins and Basso Continuo: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 20 in Bolivian Baroque, Vol. 2: Music from the Missions by Florilegium, Arakaendar Bolivia Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Sonata for 2 Violins and Basso Continuo: II. Andante's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for 2 Violins and Basso Continuo: II. Andante by Pietro Locatelli, Florilegium is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Major, Op. 4, No. 7: II. Largo - Adagio | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: II. Adagio | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | B♭ Minor | 0 | 3A | 115 BPM | ||
Trio Sonata No. 1 in G Major: I. Moderato | Domenico Gallo, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Trios de la chambre du Roi, LWV 35 (Ed. R. Gwilt): No. 47, Chaconne in C Major | Jean-Baptiste Lully, London Baroque | B Major | 3 | 1B | 105 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Concerto for Flute, English Horn, Strings and B.c. "Amabile baltà": 3. Largo ("Softly Sweet in Lydian Measures" From Oratorio 'Alexander's Feast', HWV 75) | George Frideric Handel, Albrecht Mayer, Matthieu Gauci-Ancelin, Jakub Haufa, Monika Razynska, Sinfonia Varsovia | A Major | 4 | 11B | 111 BPM | ||
Sonate en Sol Mineur, Op. 1 No. 3: IV. Giga | Jean-François Dandrieu, Le Consort, Justin Taylor | F♯ Minor | 5 | 11A | 139 BPM |
Section: 0.7027626037597656
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