"Der Hochzeitszug (Wedding Scenes) (orch. F. Hertl): I. Wedding Procession" by Bedřich Smetana, F. Hertl, Slovak Radio Symphony Orchestra, Robert Stankovsky was released on July 4, 1994. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Smetana, B.: Wedding Scenes / Libuse's Judgement". In this album, this song's track order is #12. Based on our statistics, Der Hochzeitszug (Wedding Scenes) (orch. F. Hertl): I. Wedding Procession's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Hochzeitszug (Wedding Scenes) (orch. F. Hertl): I. Wedding Procession by Bedřich Smetana, F. Hertl, Slovak Radio Symphony Orchestra, Robert Stankovsky having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): II. Maestoso - Allegro - Piu allegro - Molto allegro - Pesante | Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | G Major | 2 | 9B | 101 BPM | ||
Scènes de ballet, Op. 52: Marionettes | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 0 | 10B | 109 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Peter in the meadow | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 115 BPM | ||
Hungarian Dance No.18 in D Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 139 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Gambia ["For The Gambia, Our Homeland…"] | Slovak Radio Symphony Orchestra, Peter Breiner | C Major | 1 | 8B | 79 BPM | ||
Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 92 BPM |
Section: 0.7770042419433594
End: 0.7815413475036621