5 Canons on Latin Texts, Op. 16: Asperges me - Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern Information

Acousticness: 95%
Danceability: 44%
Energy: 0%
Instrumentalness: 0%
Liveness: 20%
Loudness: 50%
Speechiness: 7%
Valence: 21%
Popularity: 3%
Loudness: -29.708 dB

Summary

Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern's '5 Canons on Latin Texts, Op. 16: Asperges me' came out on January 2, 2005. With 5 Canons on Latin Texts, Op. 16: Asperges me being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Webern, A.: Symphony / 6 Pieces, Op. 6 / Concerto by Anton Webern, Robert Craft. The song's track number on the album is #6 out of 42 tracks. In terms of popularity, 5 Canons on Latin Texts, Op. 16: Asperges me is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

5 Canons on Latin Texts, Op. 16: Asperges me BPM

Since 5 Canons on Latin Texts, Op. 16: Asperges me by Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 5 Canons on Latin Texts, Op. 16: Asperges me being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

5 Canons on Latin Texts, Op. 16: Asperges me Key

A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto: I. Praeludium	György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu	C Major	1	8B	138 BPM
Suite for Piano, Op. 25: VI. Gigue	Arnold Schoenberg, Glenn Gould	F Major	2	7B	84 BPM
Three Poems (1899-1903): 1. Vorfrühling	Anton Webern, Christiane Oelze, Eric Schneider	E♭ Major	0	5B	75 BPM
Concerto for Organ, Strings and Percussion in G minor, FP 93: Andante	Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit	A♭ Major	1	4B	107 BPM
Symphony In 3 Movements: 1. Allegro	Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez	G Major	1	9B	84 BPM
Concerto pour piano	Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement	D Major	2	10B	105 BPM
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto	Leoš Janáček, Melos Quartet	E Major	1	12B	81 BPM
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts	Charles Ives, Marc-André Hamelin	E♭ Major	0	5B	72 BPM
String Quartet in F Major, M. 35: I. Allegro moderato	Maurice Ravel, Juilliard String Quartet	F Major	2	7B	88 BPM
Sonata for Violin and Piano: II. Blues / Moderato	Maurice Ravel, Renaud Capuçon, Franck Braley	F Minor	1	4A	114 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8185880184173584

End: 0.8235504627227783