Arnold Schoenberg, Glenn Gould made "Suite for Piano, Op. 25: VI. Gigue" available on 1959. The duration of Suite for Piano, Op. 25: VI. Gigue is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Suite for Piano, Op. 25: VI. Gigue's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "Schoenberg: Works for Piano, Phantasy for Violin, Ode to Napoleon & Pierrot Lunaire, Pt. 1". In this album, this song's track order is #19. Suite for Piano, Op. 25: VI. Gigue is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Suite for Piano, Op. 25: VI. Gigue by Arnold Schoenberg, Glenn Gould having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Brettl-Lieder: No. 1. Der genugsame Liebhaber | Arnold Schoenberg, Claudia Barainsky, Michael Hasel, Florian Dorpholz, Urs Liska, Dominic Oelze | B Minor | 0 | 10A | 74 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | B♭ Major | 1 | 6B | 79 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Pelléas und Mélisande, Op. 5: VIII. Sehr langsam | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 87 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM |
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