Edward Elgar, Marat Bisengaliev, Benjamin Frith's 'La Capricieuse, Op. 17' came out on January 1, 1999. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 21 in Elgar: Re-discovered works for violin by Edward Elgar, Marat Bisengaliev, Benjamin Frith. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, La Capricieuse, Op. 17 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Capricieuse, Op. 17 by Edward Elgar, Marat Bisengaliev, Benjamin Frith is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Andante cantabile e Presto agitato in B Major | Felix Mendelssohn, Benjamin Frith | B Major | 1 | 1B | 82 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM |
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