David Porcelijn, Tasmanian Symphony Orchestra, Tim Kain's 'Antarctica - Suite for guitar and orchestra: 3. Penguin Ballet' came out on September 19, 2014. The duration of Antarctica - Suite for guitar and orchestra: 3. Penguin Ballet is about 3 minutes long, at 3:15. Based on our data, "Antarctica - Suite for guitar and orchestra: 3. Penguin Ballet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 19 out of 54 in Classic ABC TV and Radio Themes from the 1940s to the 2000s by Various Artists. Antarctica - Suite for guitar and orchestra: 3. Penguin Ballet is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Antarctica - Suite for guitar and orchestra: 3. Penguin Ballet by David Porcelijn, Tasmanian Symphony Orchestra, Tim Kain is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in E-Flat Major, S. 124: 1. Allegro maestoso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Minor | 1 | 1A | 120 BPM | ||
Masques et bergamasques Suite, Op. 112: III. Gavotte: Allegro vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | D Minor | 1 | 7A | 101 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
Three Romances for Violin & Piano, Op. 22: I. Andante molto | Clara Schumann, Nurit Stark, Cédric Pescia | D♭ Major | 1 | 3B | 85 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 3. Allegro marziale animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | E♭ Major | 3 | 5B | 71 BPM | ||
Piano Sonata No. 4 in A minor, D.537: I. Allegro ma non troppo | Franz Schubert, Daniel Barenboim | F Major | 1 | 7B | 121 BPM | ||
Masques et Bergamasques, suite, Op.112: 2. Menuet | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 146 BPM | ||
Lyric Pieces, Op. 54 - Orch. by Edvard Grieg: III. Norwegian March: Allegretto marcato | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 0 | 10B | 77 BPM | ||
Fantasy in C Major, Op. 15, D. 760 "Wanderer": IV. Allegro | Franz Schubert, Maurizio Pollini | D♭ Major | 0 | 3B | 109 BPM | ||
Symphony No. 2 in B Minor: II. Scherzo | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | F Major | 1 | 7B | 83 BPM |
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