"Czech Suite, Op. 39: I. Preludium. Pastorale" by Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar was released on 2006. The duration of Czech Suite, Op. 39: I. Preludium. Pastorale is about 3 minutes long, at 3:17. Based on our data, "Czech Suite, Op. 39: I. Preludium. Pastorale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 9 in Dvorák: Czech Suite, Op. 39 & Overtures by Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Czech Suite, Op. 39: I. Preludium. Pastorale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Czech Suite, Op. 39: I. Preludium. Pastorale by Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir d'un lieu cher, Op.42: 2. Scherzo | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | C Minor | 2 | 5A | 97 BPM | ||
Symphony No. 3 in G Minor, Op. 36: IV. Finale: Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 126 BPM | ||
Cello Concerto No.1, Op.107: 4. Allegro con moto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | A♭ Major | 2 | 4B | 143 BPM | ||
3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
On the Dnieper Suite, Op. 51bis: III. The Betrothal | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 1 | 10B | 128 BPM | ||
The Snow Maiden (second version): Dance of the Tumblers (Act III) | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 2 | 8B | 145 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM | ||
Enigma Variations: Variation I. C.A.E - L'istesso tempo | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 72 BPM | ||
Suite For Violin And String Orchestra, Op. 117: 3. In the Summer | Jean Sibelius, Esther Yoo, Philharmonia Orchestra, Vladimir Ashkenazy | B Major | 4 | 1B | 158 BPM | ||
Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 105 BPM |
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