"Chanson pour Marilyn" by Natalie Dessay was released on November 15, 2019. The duration of Chanson pour Marilyn is about 3 minutes long, at 3:02. Based on our data, "Chanson pour Marilyn" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Nougaro : Sur l'écran noir de mes nuits blanches". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Chanson pour Marilyn is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chanson pour Marilyn by Natalie Dessay having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: Oh Vénus, belle déesse (Eurydice/Orphee) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 0 | 8B | 92 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Rinaldo, HWV 7a: Ouverture | Christophe Rousset, Les Talens Lyriques | D♭ Minor | 1 | 12A | 126 BPM | ||
Orlando furioso, RV 728 / Act 1: "Sol da te, mio dolce amore" | Antonio Vivaldi, Cecilia Bartoli, Jean-Marc Goujon, Ensemble Matheus, Jean-Christophe Spinosi | E Minor | 1 | 9A | 69 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Gautier Capuçon, Michel Dalberto | G Major | 1 | 9B | 85 BPM | ||
Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM |
Section: 0.6964850425720215
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