- BPM
- 98
- Key
- C Major
- Camelot
- 8B
Fedora, Act II: La donna russa (Live) - Umberto Giordano, Alfonso Antoniozzi, Claudio Ottino, Alessandro Fantoni, Daria Kovalenko, Genoa Carlo Felice Theater Orchestra, Valerio Galli Information
- Acousticness
- 97%
- Danceability
- 58%
- Energy
- 30%
- Instrumentalness
- 80%
- Liveness
- 11%
- Loudness
- 77%
- Speechiness
- 10%
- Valence
- 76%
- Popularity
- 7%
- Loudness
- -13.602 dB
Summary
Umberto Giordano, Alfonso Antoniozzi, Claudio Ottino, Alessandro Fantoni, Daria Kovalenko, Genoa Carlo Felice Theater Orchestra, Valerio Galli made "Fedora, Act II: La donna russa (Live)" available on January 19, 2018. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli's "Giordano: Fedora" album is number 9 out of 25. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Fedora, Act II: La donna russa (Live) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Fedora, Act II: La donna russa (Live) BPM
We consider the tempo marking of Fedora, Act II: La donna russa (Live) by Umberto Giordano, Alfonso Antoniozzi, Claudio Ottino, Alessandro Fantoni, Daria Kovalenko, Genoa Carlo Felice Theater Orchestra, Valerio Galli to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Fedora, Act II: La donna russa (Live) Key
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM | |
 | Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | |
 | Pagliacci / Prologue: Prelude..."Si può? Signore! Signori!" | Ruggero Leoncavallo, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | G Major | 2 | 9B | 79 BPM | |
 | Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | |
 | Mattinata | Ruggero Leoncavallo, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Coro Del Teatro Regio Di Parma | B Major | 1 | 1B | 169 BPM | |
 | La Sonnambula / Act 1: Come per me sereno oggi rinacque il dì! | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Orchestra La Scintilla, Alessandro De Marchi | E♭ Major | 1 | 5B | 83 BPM | |
 | Il re pastore, K. 208, Act I Scene 3: Si spande al sole in faccia | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | D Major | 4 | 10B | 121 BPM | |
 | La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | |
 | Andrea Chénier / Act 3: "La mamma morta" | Umberto Giordano, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | B Minor | 1 | 10A | 169 BPM | |
 | Il Barbiere di Siviglia: Una voce poco fa | Gioachino Rossini, Marilyn Horne, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | C Minor | 1 | 5A | 61 BPM |
- ISRC
- ITN321717046
- Label
- L-M Records/RCA Records
Section: 0.7872161865234375
End: 0.7916126251220703