Matthäus-Passion, BWV 244 / Zweiter Teil: No. 53 "Da nahmen die Kriegsknechte" - Johann Sebastian Bach, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir Information

Johann Sebastian Bach, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir's 'Matthäus-Passion, BWV 244 / Zweiter Teil: No. 53 "Da nahmen die Kriegsknechte"' came out on January 1, 1989. With Matthäus-Passion, BWV 244 / Zweiter Teil: No. 53 "Da nahmen die Kriegsknechte" being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Matthäus-Passion, BWV 244 / Zweiter Teil: No. 53 "Da nahmen die Kriegsknechte" is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.

Matthäus-Passion, BWV 244 / Zweiter Teil: No. 53 "Da nahmen die Kriegsknechte" BPM

The tempo marking of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 53 "Da nahmen die Kriegsknechte" by Johann Sebastian Bach, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.

Matthäus-Passion, BWV 244 / Zweiter Teil: No. 53 "Da nahmen die Kriegsknechte" Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.