Richard Wagner, KammerMusikKöln made "Tristan und Isolde, WWV 90: Prelude (Arr. Humperdinck for Ensemble)" available on April 19, 2024. Since Tristan und Isolde, WWV 90: Prelude (Arr. Humperdinck for Ensemble) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "The Wagner Project". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Tristan und Isolde, WWV 90: Prelude (Arr. Humperdinck for Ensemble) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tristan und Isolde, WWV 90: Prelude (Arr. Humperdinck for Ensemble) by Richard Wagner, KammerMusikKöln having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canto della Buranella (From "Il Casanova di Federico Fellini") | Nino Rota, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
Violin Sonata in D Major, HWV 371 (Arr. for Violin & Accordion by Iwo Jedynecki): IV. Allegro | George Frideric Handel, Iwo Jedynecki, Karolina Mikołajczyk | A Major | 2 | 11B | 110 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Concert pour piano, violon et quatuor à cordes en Ré Majeur, Op. 21: II. Sicilienne | Ernest Chausson, Gabriel Le Magadure, Frank Braley, Quatuor Agate | F Major | 2 | 7B | 103 BPM | ||
Summer of '42 | Michel Legrand, Philippe Guilhon-Herbert | E♭ Minor | 1 | 2A | 75 BPM | ||
El cant dels ocells (Arr. Dueñas for Violin and Piano) | Traditional, María Dueñas, Itamar Golan | A Minor | 1 | 8A | 81 BPM | ||
Theme and Variations, Op. 72: Var. 9. Adagio tranquillo | Alexander Glazunov, Piers Lane | C Minor | 3 | 5A | 76 BPM | ||
Sonata a violino scordato, MS 118: II. — | Niccolò Paganini, Luca Fanfoni, Carlo Cantini, Daniele Fanfoni | G Major | 1 | 9B | 79 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Overture | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | C Major | 3 | 8B | 92 BPM | ||
String Quartet No. 9 in E-Flat Major, Op. 117: IV. Adagio | Dmitri Shostakovich, Carducci String Quartet | D♭ Major | 0 | 3B | 83 BPM |
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