"Scaramouche, Suite for Two Pianos, Op. 165b: II. Modéré" by Darius Milhaud, Karin Lechner, Sergio Tiempo was released on March 15, 2019. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 40 in the song's album "Piano Tranquility". In this album, this song's track order is #37. Scaramouche, Suite for Two Pianos, Op. 165b: II. Modéré is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Scaramouche, Suite for Two Pianos, Op. 165b: II. Modéré by Darius Milhaud, Karin Lechner, Sergio Tiempo having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
Le chemin de fer, Op. 27 | Charles-Valentin Alkan, Laurent Martin | F Major | 1 | 7B | 106 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
3 Preludes (arr. J. Heifetz): No. 3. Allegro ben ritmato e deciso | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | E♭ Minor | 4 | 2A | 119 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Saudades do Brasil, Op. 67: Corcovado | Darius Milhaud, Alexandre Tharaud | G Major | 1 | 9B | 164 BPM | ||
Scaramouche, Op. 165b (arr. for saxophone and piano): III. Brazileira | Anonymous, Darius Milhaud, Koryun Asatryan, Eun Bae Jang | F Major | 2 | 7B | 110 BPM | ||
In Chassidic Mood: I. Andante con moto | Gil Aldema, The Safad Chamber Orchestra, Markus Poschner, Giora Feidman | B♭ Minor | 0 | 3A | 110 BPM |
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