"On the Underground Set No. 2 "The Strange and the Exotic": II. I Saw a Peacock with a Fiery Tail" by Thea Musgrave, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National Orchestra was released on May 8, 2020. With On the Underground Set No. 2 "The Strange and the Exotic": II. I Saw a Peacock with a Fiery Tail being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 16 in Cantos Sagrados by National Youth Choir of Scotland, Christopher Bell, Royal Scottish National Orchestra. On the Underground Set No. 2 "The Strange and the Exotic": II. I Saw a Peacock with a Fiery Tail is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of On the Underground Set No. 2 "The Strange and the Exotic": II. I Saw a Peacock with a Fiery Tail by Thea Musgrave, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Revelry: II. War | Valerie Coleman, Decoda | F Major | 3 | 7B | 115 BPM | ||
Élégie, L. 146 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Coastal Command Suite: The Hebrides | RTE Concert Orchestra, Ralph Vaughan Williams | D Minor | 0 | 7A | 65 BPM | ||
Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Suite, Op. 56: IV. Rondo. Presto | Rudolf Moser, Sinfonietta Riga, Philippe Bach | D Major | 0 | 10B | 101 BPM | ||
Impromptu No. 1 | Thea Musgrave, Nicholas Daniel, Emer McDonough | G Major | 1 | 9B | 64 BPM | ||
Valses nobles et sentimentales M 61b VI. Assez vif | Maurice Ravel, Paavo Järvi, Orchestre de Paris | G Major | 1 | 9B | 129 BPM | ||
Puck "Fleeing from the Dawn" | Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins | A Major | 2 | 11B | 105 BPM | ||
Stravinsky: Concerto for String Orchestra in D Major: I. Vivace | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | D Major | 1 | 10B | 97 BPM | ||
Run Hermes | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM |
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