Dmitri Shostakovich, BBC Philharmonic, Vassily Sinaisky made "Volochayevskiye dni (Volochayev Days), Op. 48: Overture: Allegretto" available on March 1, 2004. The duration of Volochayevskiye dni (Volochayev Days), Op. 48: Overture: Allegretto is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Volochayevskiye dni (Volochayev Days), Op. 48: Overture: Allegretto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Shostakovich: Film Music, Vol. 2 - Golden Mountains / The Gadfly / Volochayev Days". In this album, this song's track order is #18. In terms of popularity, Volochayevskiye dni (Volochayev Days), Op. 48: Overture: Allegretto is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Volochayevskiye dni (Volochayev Days), Op. 48: Overture: Allegretto by Dmitri Shostakovich, BBC Philharmonic, Vassily Sinaisky having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Symphony No. 14 in G Minor, Op. 135: VI. Les attentives II | Dmitri Shostakovich, Kristine Opolais, Alexander Tsymbalyuk, Boston Symphony Orchestra, Andris Nelsons | G Major | 1 | 9B | 87 BPM | ||
Piano Sonata No.14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Daniel Barenboim | D♭ Minor | 0 | 12A | 139 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: V. Finale | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 0 | 9B | 64 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM |
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