"Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 2. Salvation Army Song III: don't be afraid" by Kurt Weill, Mary Thomas, Philip Langridge, Ian Partridge, Benjamin Luxon, London Sinfonietta, David Atherton was released on January 1, 1976. With Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 2. Salvation Army Song III: don't be afraid being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #2 out of 42 tracks. The popularity of Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 2. Salvation Army Song III: don't be afraid is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 2. Salvation Army Song III: don't be afraid by Kurt Weill, Mary Thomas, Philip Langridge, Ian Partridge, Benjamin Luxon, London Sinfonietta, David Atherton has a tempo of 165 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 2. Salvation Army Song III: don't be afraid being at 165 BPM, the half-time would be 82 BPM with a double-time of 330 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Erbarme dich, mein Gott (From the St. Matthew Passion) | Johann Sebastian Bach, Eugen Cicero | E Minor | 3 | 9A | 136 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Warsaw Concerto | Richard Addinsell, Cristina Ortiz, Royal Philharmonic Orchestra, Moshe Atzmon | B Major | 1 | 1B | 74 BPM | ||
Youkali Tango | The Armadillo String Quartet | D Minor | 1 | 7A | 86 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Noye's Fludde, Op. 59: "Noye, Noye, Take Thou Thy Company" | Benjamin Britten, Trevor Anthony, Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus Of Animals, The English Opera Group Orchestra, Merlin Channon, Norman Del Mar | F Major | 3 | 7B | 113 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
L’opéra de quat'sous, Act II: Tango-ballade / ballade du Mac | Kurt Weill, Le Balcon, Maxime Pascal, Elsa Lepoivre, Birane Ba | C Major | 1 | 8B | 137 BPM |
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