Kurt Weill, Le Balcon, Maxime Pascal, Elsa Lepoivre, Birane Ba made "L’opéra de quat'sous, Act II: Tango-ballade / ballade du Mac" available on September 22, 2023. With this song being about 5 minutes long, at 4:30, "L’opéra de quat'sous, Act II: Tango-ballade / ballade du Mac" by Kurt Weill, Le Balcon, Maxime Pascal, Elsa Lepoivre, Birane Ba is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Weill, Brecht & Hauptmann: L'opéra de quat'sous by Kurt Weill, Le Balcon, Maxime Pascal. The song's track number on the album is #32 out of 57 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, L’opéra de quat'sous, Act II: Tango-ballade / ballade du Mac's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since L’opéra de quat'sous, Act II: Tango-ballade / ballade du Mac by Kurt Weill, Le Balcon, Maxime Pascal, Elsa Lepoivre, Birane Ba has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With L’opéra de quat'sous, Act II: Tango-ballade / ballade du Mac being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Salley Gardens | Benjamin Britten, Karla Haltenwanger, Andrè Schuen | B♭ Major | 1 | 6B | 74 BPM | ||
Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: V. Finale alla marcia | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | F Major | 6 | 7B | 152 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
Tango Jalousie | Jacob Gade, Yo-Yo Ma, Kathryn Stott | D Major | 1 | 10B | 78 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: E soffitto, e pareti (Pinkerton/Goro) | Giacomo Puccini, Carlo Bergonzi, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | D♭ Major | 7 | 3B | 105 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM | ||
In a Monastery Garden | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | F Major | 1 | 7B | 102 BPM | ||
Die Dreigroschenoper: Macheath ist entkommen . . . Als der ägyptische König | Kurt Weill, Rolf Boysen, Mario Adorf, Rias-Sinfonietta Berlin, John Mauceri | B♭ Major | 2 | 6B | 80 BPM | ||
Little Serenade | Ernest Tomlinson, Slovak Radio Symphony Orchestra | A Major | 0 | 11B | 143 BPM | ||
The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM |
Section: 0.6401259899139404
End: 0.6442744731903076