"Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau" by Johann Sebastian Bach, The English Concert, Trevor Pinnock was released on January 1, 1988. With Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 15 in Bach: Orchestral Suites (Overtures) BWV 1067 & 1068 / Triple Concerto by Johann Sebastian Bach, Simon Standage, Lisa Beznosiuk, The English Concert, Trevor Pinnock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau by Johann Sebastian Bach, The English Concert, Trevor Pinnock is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in A Major: II. Andante | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 94 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Keyboard Trio No. 25 in G Major, Hob.XV:25, "Gypsy Rondo": III. Finale: Rondo all'ongarese | Franz Joseph Haydn, Kungsbacka Piano Trio | G Major | 1 | 9B | 147 BPM | ||
Concerto for Cello and String Orchestra in G Major, G. 480: III. Allegro | Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | F♯ Major | 1 | 2B | 97 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM | ||
Sonata for Lute No. 8 in A Major: II. Allemande | Silvius Leopold Weiss, Lee Santana | A♭ Major | 1 | 4B | 96 BPM | ||
Concerto for Strings and Continuo in G Major, RV. 151 "Concerto alla Rustica": III. Allegro | Antonio Vivaldi, The English Concert, Trevor Pinnock | C Minor | 5 | 5A | 115 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Sonata in C Major, No. 3: II. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Minor | 2 | 1A | 104 BPM |
Section: 0.6165516376495361
End: 0.620732307434082