"Crucifixus à 8: Crucifixus à 8" by Antonio Lotti, Westminster Cathedral Choir, Martin Baker was released on 2020. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vexilla Regis: A Sequence of Music from Palm Sunday to Holy Saturday by Westminster Cathedral Choir, Martin Baker, Peter Stevens. The song's track number on the album is #16 out of 21 tracks. Crucifixus à 8: Crucifixus à 8 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Crucifixus à 8: Crucifixus à 8 by Antonio Lotti, Westminster Cathedral Choir, Martin Baker has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Crucifixus à 8: Crucifixus à 8 being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wie Lieblich Sind Deine Wohnungen, Op. 35 | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | B♭ Major | 0 | 6B | 73 BPM | ||
Ave maris stella | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Minor | 0 | 8A | 70 BPM | ||
Kyrie in B Major: Kyrie | Antonio Lotti, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | G Major | 1 | 9B | 140 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Sunrise Mass: IV. Identity | Ola Gjeilo, Westminster Williamson Voices, Sunrise Mass Orchestra, James Jordan | A♭ Major | 2 | 4B | 83 BPM | ||
The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) | Ralph Vaughan Williams, Apollo5 | F Minor | 0 | 4A | 73 BPM | ||
Amen, And with thy spirit | USSR Ministry of Culture Chamber Choir, Valery Polyansky | C Major | 1 | 8B | 136 BPM | ||
Dixit Dominus: Juravit Dominus (Chorus) | Antonio Lotti, Barbara Christina Steude, Annekathrin Laabs, David Erler, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung | F♯ Major | 1 | 2B | 71 BPM | ||
Motet Jesu Meine Freude (Bwv 227) | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 80 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM |
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