"Concerto per Violino, archi e basso continuo in la minore, A-Moll, op. 3/6: II. Largo" by Baroque Festival Orchestra, Alberto Lizzio, Alexander Pervomaysky was released on January 1, 1991. The duration of Concerto per Violino, archi e basso continuo in la minore, A-Moll, op. 3/6: II. Largo is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Concerto per Violino, archi e basso continuo in la minore, A-Moll, op. 3/6: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 39 in Antonio Vivaldi: Die vier Jahreszeiten, Concerto grossi by Various Artists. Concerto per Violino, archi e basso continuo in la minore, A-Moll, op. 3/6: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto per Violino, archi e basso continuo in la minore, A-Moll, op. 3/6: II. Largo by Baroque Festival Orchestra, Alberto Lizzio, Alexander Pervomaysky is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gypsy Airs for Violin and Orchestra, Op. 20 | Pablo de Sarasate, Dresdner Philharmonie, Heinz Bongartz, Ion Voicu | C Minor | 2 | 5A | 80 BPM | ||
Concerto For Violincello & Orchestra B Minor Op.104: Adagio Ma Non Troppo | Philharmonia Slavonica, Alberto Lizzio, Herbert Krepela | G Major | 1 | 9B | 86 BPM | ||
Water Music Suite No. 1 (Excerpts): 6. Minuet | George Frideric Handel, New York Philharmonic, Pierre Boulez | F Major | 0 | 7B | 102 BPM | ||
Symphony No. 22 in E-Flat Major "Philosoph": II. Menuett | Joseph Haydn, Alberto Lizzio, Musici di San Marco | D Major | 0 | 10B | 74 BPM | ||
Cello Concerto in G Major, RV 415: III. Alla breve (Presto) | Musici di San Marco & Alberto Lizzio | F♯ Major | 1 | 2B | 129 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 2, Allegro maestoso | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | D Minor | 2 | 7A | 110 BPM | ||
Spohr: Duo Concertante in D Major, Op. 67, No. 2: II. Larghetto | Louis Spohr, Itzhak Perlman | B♭ Major | 1 | 6B | 172 BPM | ||
Water Music Suite: Allegro-Andante-Allegro | George Frideric Handel, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | F Major | 1 | 7B | 112 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM |
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