"Water Music Suite No. 1 (Excerpts): 6. Minuet" by George Frideric Handel, New York Philharmonic, Pierre Boulez was released on 1959. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, English Chamber Orchestra, Raymond Leppard, New York Philharmonic, Igor Kipnis, E. Power Biggs's "Handel: Greatest Hits" album is number 4 out of 22. In terms of popularity, Water Music Suite No. 1 (Excerpts): 6. Minuet is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Water Music Suite No. 1 (Excerpts): 6. Minuet by George Frideric Handel, New York Philharmonic, Pierre Boulez to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a due cori No. 1 in B flat (1989 Digital Remaster): II. Allegro | George Frideric Handel, Yehudi Menuhin, Menuhin Festival Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
Flute Sonata in G Major, Op. 1, No. 5, HWV 363b: IV. Bourree (arr. for violin and piano) | Anonymous, George Frideric Handel, Takako Nishizaki, Terence Dennis | G Major | 2 | 9B | 127 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A Major | 4 | 11B | 133 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM |
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