"Beau Soir, L. 6 - Arr. for Cello and Piano" by Claude Debussy, Isang Enders, Sun-Wook Kim was released on April 24, 2020. The duration of Beau Soir, L. 6 - Arr. for Cello and Piano is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Beau Soir, L. 6 - Arr. for Cello and Piano's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vox Humana by Isang Enders. The song's track number on the album is #16 out of 16 tracks. Beau Soir, L. 6 - Arr. for Cello and Piano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Beau Soir, L. 6 - Arr. for Cello and Piano by Claude Debussy, Isang Enders, Sun-Wook Kim has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Beau Soir, L. 6 - Arr. for Cello and Piano being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Unaccompanied Cello Suite No. 1 in G major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 1 | 9B | 137 BPM | ||
Deux Arabesques L. 66: No. 1 Andante con moto | Claude Debussy, Zoltán Kocsis | E Major | 0 | 12B | 70 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
5 Anniversaries: No. 5, For Susanna Kyle | Leonard Bernstein, Warren Lee | C Major | 0 | 8B | 98 BPM | ||
Lagoon of Forgotten Dreams (Laguna de los Sueños Olvidados) | Julián Fueyo | D Minor | 0 | 7A | 77 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto | Ludwig van Beethoven, Kodály Quartet | B♭ Minor | 1 | 3A | 162 BPM |
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