"Va, ché l'hai fatto a me" by Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Valerio Contaldo was released on May 10, 2024. With Va, ché l'hai fatto a me being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 27 in Amore siciliano by Cappella Mediterranea, Leonardo García-Alarcón. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Va, ché l'hai fatto a me is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Va, ché l'hai fatto a me by Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Valerio Contaldo is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Armide, LWV 71, Act II Scene 1: Invincible héros (Artémidore, Renaud) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Timothée Varon, Cyril Auvity | F Major | 1 | 7B | 139 BPM | ||
Libera me in C Minor, HocJ E.2: III. Dum veneris iudicare | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | E Minor | 1 | 9A | 98 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
Chi fà: I. Odimi, il passo arresta | Marco Marazzoli, Nicholas Scott, Deborah Cachet, Le Poème Harmonique, Vincent Dumestre | E Major | 1 | 12B | 177 BPM | ||
Membra Jesu Nostri, BUXWV 75, cantata II ad genua: I. Sonata in tremolo | Dietrich Buxtehude, Luthers Bach Ensemble, Tymen Jan Bronda, Baroque Orchestra | F♯ Minor | 2 | 11A | 142 BPM | ||
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
Caccini: Così, perfida Alcina | Francesca Caccini, Christina Pluhar, L'Arpeggiata, Luciana Mancini | F Major | 2 | 7B | 88 BPM | ||
O Sing Unto the Lord, Z44: Symphony - O Sing - Sing Unto the Lord - The Lord is Great - O Worship - Tell it Out | Henry Purcell, The Sixteen, Harry Christophers | G Major | 4 | 9B | 105 BPM | ||
In tribulationibus, in angustiis: No. 3, Ad floridum montem | Rinaldo Alessandrini, Concerto Italiano, Andrés Montilla, Luca Cervoni, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 53, Jesu, Jesu, du bist mein, BWV 470 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM |
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