"Festa das igrejas: I. Sao Francisco da Bahia" by Francisco Mignone, Orquestra Sinfônica do Estado de São Paulo, John Neschling had its release date on December 1, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Francisco Mignone, Orquestra Sinfônica do Estado de São Paulo, John Neschling's "Mignone: Festa Das Igrejas / Sinfonia Tropical / Maracatu De Chico Rei" album is number 1 out of 14. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Festa das igrejas: I. Sao Francisco da Bahia's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Festa das igrejas: I. Sao Francisco da Bahia by Francisco Mignone, Orquestra Sinfônica do Estado de São Paulo, John Neschling to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valsa de esquina No. 8 | Francisco Mignone, Gustavo Tavares, Nelson Faria | E Minor | 1 | 9A | 200 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM | ||
Siete canciones populares españolas: No. 5 Nana | Manuel de Falla, Amy Dickson | A Major | 0 | 11B | 69 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Lenda Sertaneja - Legend From the Backlands | Francisco Mignone, Fabio Zanon | E Major | 0 | 12B | 76 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Il trionfo d'amore, Introduzione: Introduzione: Sinfonia: Andante | Francisco António de Almeida, Os Músicos do Tejo, Marcos Magalhaes | A Major | 0 | 11B | 111 BPM |