Gloria, FP 144: II. Laudamus te - Francis Poulenc, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver Information

Acousticness
82%
Danceability
40%
Energy
27%
Instrumentalness
80%
Liveness
30%
Loudness
72%
Speechiness
4%
Valence
27%
Popularity
Loudness
-17.076 dB

Summary

Francis Poulenc, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver's 'Gloria, FP 144: II. Laudamus te' came out on January 1, 1995. The duration of Gloria, FP 144: II. Laudamus te is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Gloria, FP 144: II. Laudamus te's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Poulenc: Gloria For Soprano, Mixed Chorus And Orchestra; Concerto For Organ, Strings And Timpani In G Minor; Concert Champetre For Harpsichord And Orchestra". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Gloria, FP 144: II. Laudamus te's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Gloria, FP 144: II. Laudamus te BPM

With Gloria, FP 144: II. Laudamus te by Francis Poulenc, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Gloria, FP 144: II. Laudamus te Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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ISRC
DEF058704292
Label
L-M Records/RCA Records

Section: 0.8503584861755371

End: 0.8552446365356445