Igor Stravinsky, Vadim Repin's 'Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: III. Scherzo' came out on August 22, 2006. The duration of Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: III. Scherzo is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: III. Scherzo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 109 in the song's album "The Collected Recordings of Vadim Repin". In this album, this song's track order is #30. Based on our statistics, Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: III. Scherzo's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: III. Scherzo by Igor Stravinsky, Vadim Repin having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Spring Rounds - Ritual of the Rival Tribes - Procession of the Sage | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | D Minor | 4 | 7A | 115 BPM | ||
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
Histoire du soldat Suite (The Soldier's Tale Suite): I. The Soldier's March | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | D Major | 2 | 10B | 121 BPM | ||
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Les Noces, Première partie, Premier tableau: Chez la mariée | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | F Major | 0 | 7B | 181 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : I Molto moderato - Allegro moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM |
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