Giovanni Picchi, Stella Simone made "Intavolatura D'organo: II. Passo E Mezzo di Giovan. Picchi" available on June 25, 2021. The duration of Intavolatura D'organo: II. Passo E Mezzo di Giovan. Picchi is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Intavolatura D'organo: II. Passo E Mezzo di Giovan. Picchi's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Picchi: Complete Harpsichord Music and Other Venetian Gems". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Intavolatura D'organo: II. Passo E Mezzo di Giovan. Picchi's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Intavolatura D'organo: II. Passo E Mezzo di Giovan. Picchi by Giovanni Picchi, Stella Simone having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Robert De Visée - Prelude for 2 Theorbos | Robert de Visée, Andreas Nachtsheim, Klaus Mader | F♯ Major | 1 | 2B | 70 BPM | ||
Concerto primo in G Major: III. Allegro assai | Baldassare Galuppi, Ensemble StilModerno | G Major | 1 | 9B | 88 BPM | ||
Suite in A Major, BWV 1025: VI. Menuet | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | A♭ Major | 1 | 4B | 135 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Mystery (Rosary) Sonata: No. 2 in A Major “The Visitation”: II. Allaman | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | B♭ Minor | 1 | 3A | 112 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: V. Flaterie | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Major | 1 | 2B | 73 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: III. Adagio piano | Dietrich Becker, La Rêveuse, Benjamin Perrot, Sébastien Wonner, Florence Bolton | D♭ Major | 1 | 3B | 165 BPM | ||
Pieces in D Minor: IV. Contredance La Furstemberg | Henry Purcell, Jakob Lindberg | D Minor | 0 | 7A | 93 BPM | ||
Minuet in C Minor, BWV Anh. 121 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM |
Section: 0.616152286529541
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