Silvius Leopold Weiss, Michel Cardin made "Sonata No. 4 in G Major, WeissSW 5: VII. Gigue" available on January 1, 2015. The duration of Sonata No. 4 in G Major, WeissSW 5: VII. Gigue is about 3 minutes long, at 3:03. Based on our data, "Sonata No. 4 in G Major, WeissSW 5: VII. Gigue" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #27 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Sonata No. 4 in G Major, WeissSW 5: VII. Gigue is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Sonata No. 4 in G Major, WeissSW 5: VII. Gigue by Silvius Leopold Weiss, Michel Cardin has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Sonata No. 4 in G Major, WeissSW 5: VII. Gigue being at 179 BPM, the half-time would be 90 BPM with a double-time of 358 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Guitarre Royalle: Gigue 'cherie du Roy' | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | D♭ Major | 1 | 3B | 98 BPM | ||
Lute Sonata No. 9: I. Preludio | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 0 | 12A | 179 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
Prélude in G Major | Etienne Le Moine, Nicolas Wattinne | D♭ Major | 0 | 3B | 78 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Suite in C Minor from Ms. Lobkowicz: V. La volage Passacaille | Charles Mouton, Anders Ericson | B Minor | 1 | 10A | 103 BPM | ||
Doni Lute Book: Canario | Giovanni Girolamo Kapsberger, Jakob Lindberg | G Major | 1 | 9B | 76 BPM | ||
Sonate in Fa Minore: I. Toccata | Michelagnolo Galilei, Anthony Bailes | E Major | 1 | 12B | 47 BPM | ||
Amarilli mia bella (Modo IV) | Jacob van Eyck, The Royal Wind Music, Paul Leenhouts | A♭ Major | 0 | 4B | 128 BPM |
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