Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot's 'Scènes bohémiennes la jolie fille de perth: Prélude' came out on 1994. The duration of Scènes bohémiennes la jolie fille de perth: Prélude is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Scènes bohémiennes la jolie fille de perth: Prélude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 12 in Bizet : Symphonie n°1, Offenbach : Ouvertures by Orchestre Philharmonique des Pays de Loire, Marc Soustrot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Scènes bohémiennes la jolie fille de perth: Prélude's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Scènes bohémiennes la jolie fille de perth: Prélude by Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
Saint Saens: Le Carnaval des animaux fossiles 생상스 동물의 사육제 중 화석 | 김준영 | E♭ Major | 4 | 5B | 120 BPM | ||
2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 0 | 10B | 74 BPM | ||
Sonata for Strings No. 2 in A Major: I. Allegro | Gioachino Rossini, Hungarian Virtuosi, Tamás Benedek | F♯ Major | 2 | 2B | 150 BPM | ||
Je frémis...Quoi ! Innocent ?...Je suis jaloux (Léïla, Zurga) - 1990 Remastered Version | Eugene Cormon, Georges Bizet, Michel Carre, Orchestre de l'Opéra National de Paris/Georges Prêtre/Guillermo Sarabia/Alain Vanzo/Ileana Cotrubas, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 2 | 6B | 94 BPM | ||
Liebestraum No. 3 | Franz Liszt, Arthur Fiedler | A♭ Major | 1 | 4B | 79 BPM | ||
Danse, "Tarentelle styrienne" | Claude Debussy, François-Joël Thiollier | F♯ Minor | 1 | 11A | 69 BPM | ||
L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) | Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | E Major | 3 | 12B | 83 BPM | ||
Two Eligiac Melodies Heart Wounds | Academy of St. Martin in the Fields | C Major | 1 | 8B | 87 BPM | ||
Scheherazade: Sea Birds | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 46 BPM |
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