"Evening Songs, Op. 3: No. 2, Mně zdálo se" by Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle was released on May 17, 2024. With this song being about 5 minutes long, at 4:30, "Evening Songs, Op. 3: No. 2, Mně zdálo se" by Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Dvořák: Mně zdálo se and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Evening Songs, Op. 3: No. 2, Mně zdálo se is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Evening Songs, Op. 3: No. 2, Mně zdálo se by Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The spectre's bride, Op. 69, B. 135: Alas! Where is my father gone? (Soprano) | Antonín Dvořák, Oksana Krovytska, John Aler, Ivan Kusnjer, Westminster Symphonic Choir, New Jersey Symphony Orchestra, Zdeněk Mácal | A Major | 0 | 11B | 73 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Strauss, Richard: 4 Lieder, Op. 27: No. 4, Morgen (Version with Violin) | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy, Vilde Frang | G Major | 1 | 9B | 79 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: VI. Variation M, Percussion. Moderato | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | D Major | 2 | 10B | 148 BPM | ||
El cant dels ocells (Arr. Dueñas for Violin and Piano) | Traditional, María Dueñas, Itamar Golan | A Minor | 1 | 8A | 81 BPM | ||
Rusalka, Op. 114 / Act 3: Mám, zlaté vlásky mám | Antonín Dvořák, Dana Buresova, Livia Aghova, Hana Minutillo, Franz Hawlata, Kühn Mixed Choir, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
Adagio for Strings: II. Molto adagio - Barber: Adagio for Strings (Molto adagio) | Patrick Hahn, Munich Radio Orchestra | C Minor | 3 | 5A | 76 BPM | ||
Evening Songs, Op. 3: No. 4, Když Bůh byl nejvíc rozkochán | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | E Major | 1 | 12B | 86 BPM |
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