"Cavalleria Rusticana : Lo so che il torto e mio" by Fabio Armiliato was released on March 14, 2011. The duration of Cavalleria Rusticana : Lo so che il torto e mio is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Cavalleria Rusticana : Lo so che il torto e mio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Ten Years On Stage". In this album, this song's track order is #4. The popularity of Cavalleria Rusticana : Lo so che il torto e mio is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cavalleria Rusticana : Lo so che il torto e mio by Fabio Armiliato having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | ||
Cecilia: Padre! Ho pregato | Licinio Refice, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F Minor | 1 | 4A | 106 BPM | ||
Ave, Verum Corpus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Et resurrexit | Piero Cappuccilli, Fabio Armiliato | B♭ Major | 4 | 6B | 59 BPM | ||
Tosca : Recondita armonia | Fabio Armiliato | F Major | 4 | 7B | 122 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Andrea Chénier: Vicino a te | Umberto Giordano, Fabio Armiliato, Daniela Dessi, Wurttembergische Philharmonie, Marco Boemi | E Major | 1 | 12B | 110 BPM | ||
I vespri siciliani*: Act III: Di tai piacer, per te novelli (Monforte, Arrigo, Procida) | Giuseppe Verdi, Leo Nucci, Parma Teatro Regio Orchestra, Fabio Armiliato, Giacomo Prestia, Massimo Zanetti | A Minor | 3 | 8A | 99 BPM | ||
Armies of the Gods | Paul Edward-Francis | D Major | 0 | 10B | 91 BPM | ||
Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico) | Gaetano Donizetti, David Parry, Philharmonia Orchestra, Alan Opie | E Major | 0 | 12B | 129 BPM |
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