Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon made "Intermedes de Xerxes: Air pour les Paysans et Paysanes" available on May 4, 1998. With Intermedes de Xerxes: Air pour les Paysans et Paysanes being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 13 out of 35. Intermedes de Xerxes: Air pour les Paysans et Paysanes is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Intermedes de Xerxes: Air pour les Paysans et Paysanes by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": III. Gavot Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 77 BPM | ||
Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 135 BPM | ||
Violin Sonata in B-flat Major, Op. 5 No. 2: IV. Adagio | Arcangelo Corelli, Enrico Onofri | F Minor | 1 | 4A | 70 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: And the children of Israel sighed (Alto, Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
Sonata in E Minor, Op. 2, No. 4: I.-IV. Preludio - Allemanda - Grave - Giga | Arcangelo Corelli, Simon Standage, Michaela Comberti, Trevor Pinnock, Anthony Pleeth | E♭ Minor | 1 | 2A | 73 BPM | ||
Canzona prima a basso solo, "detta l'altera" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 148 BPM | ||
Le tombeau de Monsieur de Lully: II. Vif | Jean-Féry Rebel, London Baroque | B Minor | 3 | 10A | 56 BPM | ||
Symphony in C Minor, J-C 9: III. Allegro | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B Minor | 2 | 10A | 110 BPM | ||
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM |
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