William Boyce, Aradia Ensemble, Kevin Mallon made "Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": III. Gavot Allegro" available on May 1, 2005. The duration of Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": III. Gavot Allegro is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": III. Gavot Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 23 in Boyce: Symphonies Nos. 1-8, Op. 2 by William Boyce. Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": III. Gavot Allegro is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": III. Gavot Allegro by William Boyce, Aradia Ensemble, Kevin Mallon is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Concerto For 2 Keyboards in C Major, BWV 1061: I. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 95 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 7: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 133 BPM | ||
Concerto For Oboe And Orchestra In G Major: 3. Allegro | Carl Ditters von Dittersdorf, Heinz Holliger, Camerata Bern, Thomas Füri | G Major | 2 | 9B | 133 BPM | ||
Concerto a 5 in D minor, Op.9, No.2 for Oboe, Strings, and Continuo: 1. Allegro e non presto | Tomaso Albinoni, Frank de Bruine, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 79 BPM | ||
Dardanus: Tambourins I-II | Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 2 | 3B | 123 BPM | ||
The Married Beau, or The Curious Impertinent, Z. 603: V. Hornpipe II | Henry Purcell, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 89 BPM | ||
Suite No. 3 in D, BWV 1068: 1. Ouverture | Johann Sebastian Bach, Stuttgart Chamber Orchestra, Karl Münchinger | A Major | 4 | 11B | 117 BPM | ||
Oboe Concerto in A Minor: III. Allegro | Domenico Elmi, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | A Minor | 3 | 8A | 130 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 127 BPM |
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