Jean-Féry Rebel, London Baroque made "Le tombeau de Monsieur de Lully: II. Vif" available on April 1, 2005. The duration of Le tombeau de Monsieur de Lully: II. Vif is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Le tombeau de Monsieur de Lully: II. Vif's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Trio Sonata In 17th-Century France". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Sweden. Le tombeau de Monsieur de Lully: II. Vif is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Le tombeau de Monsieur de Lully: II. Vif by Jean-Féry Rebel, London Baroque having a BPM of 56 with a half-time of 28 BPM and a double-time of 112 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Flauto Traverso and Basso Continuo in E Major, BWV 1035: II. Allegro | Richard Egarr, Johann Sebastian Bach, Viola de Hoog, Martin Root | D Major | 2 | 10B | 103 BPM | ||
Quatrieme livre de 6 quatuors: Quartet No. 5 in G Major, TWV 43:G5: II. Allegro | Georg Philipp Telemann, American Baroque | E Major | 1 | 12B | 108 BPM | ||
Trio Sonata in B-Flat Major, GraunWV A:XV:16: III. Allegro non troppo | Johann Gottlieb Graun, London Baroque | E Major | 2 | 12B | 136 BPM | ||
Sinfonia in C major: III. Allegrissimo | Domenico Scarlatti, Margret Köll/Europa Galante/Fabio Biondi, Europa Galante | F♯ Major | 3 | 2B | 77 BPM | ||
Flute Concerto in G Major, QV 5:165: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | D Minor | 0 | 7A | 72 BPM | ||
Trio Sonata No. 1 in G Major: I. Moderato | Domenico Gallo, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Sonata in E Minor: IV. Adagio | Johann Rosenmüller, London Baroque | F♯ Major | 1 | 2B | 119 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Sonate, correnti et arie, Op. 4: Sonata No. 26 "La Prosperina" | Marco Uccellini, London Baroque | F♯ Minor | 2 | 11A | 108 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 111 BPM |
Section: 0.6728525161743164
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