- BPM
- 79
- Key
- B Minor
- Camelot
- 10A
Victoria: Taedet animam meam - 1. Taedet animam meam - Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars Information
- Acousticness
- 100%
- Danceability
- 29%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 15%
- Popularity
- 9%
- Loudness
- -25.452 dB
Summary
"Victoria: Taedet animam meam - 1. Taedet animam meam" by Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars was released on 1987. With Victoria: Taedet animam meam - 1. Taedet animam meam being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Victoria: Requiem (Officium defunctorum). Lobo: Versa est in luctum. by Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars. The song's track number on the album is #1 out of 32 tracks. Victoria: Taedet animam meam - 1. Taedet animam meam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Victoria: Taedet animam meam - 1. Taedet animam meam BPM
Since Victoria: Taedet animam meam - 1. Taedet animam meam by Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Victoria: Taedet animam meam - 1. Taedet animam meam being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
Victoria: Taedet animam meam - 1. Taedet animam meam Key
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Palestrina: Missa Brevis - 12. Agnus Dei 1 | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 85 BPM | |
 | 6 Chansons: No. 5. En hiver | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D Minor | 1 | 7A | 129 BPM | |
 | Cantate Domino a 6, C. 6 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Wim Becu | B Major | 1 | 1B | 65 BPM | |
 | Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | |
 | Missa Tu es Petrus: V, Agnus Dei | Orazio Benevoli, I Fagiolini, Robert Hollingworth, The City Musick | G Major | 1 | 9B | 96 BPM | |
 | Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | |
 | Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | |
 | Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | |
 | Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Glory (Quiet) | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | F♯ Minor | 0 | 11A | 81 BPM | |
 | Heu nos miseros | Leonardo Leo, Voices of Ascension Chorus, Dennis Keene | A Minor | 1 | 8A | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5380775928497314
End: 0.5441968441009521