"Lyric Suite Op. 54: Troldtog (March of the Trolls)" by Tasmanian Symphony Orchestra, Andrew Greene was released on October 5, 2012. The duration of Lyric Suite Op. 54: Troldtog (March of the Trolls) is about 3 minutes long, at 3:16. Based on our data, "Lyric Suite Op. 54: Troldtog (March of the Trolls)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Tasmanian Symphony Orchestra's "Halloween Classics" album is number 5 out of 25. Based on our statistics, Lyric Suite Op. 54: Troldtog (March of the Trolls)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lyric Suite Op. 54: Troldtog (March of the Trolls) by Tasmanian Symphony Orchestra, Andrew Greene to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orphee et Eurydice, Act II, Dance of the Blessed Spirits, Orfeo ed Euridice, Act II: Orfeo ed Euridice, Act II: Dance of the Blessed Spirits (arr. for flute and harp) | Donald Sosin, Christoph Willibald Gluck, Nora Shulman, Judy Loman | F Major | 1 | 7B | 82 BPM | ||
Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp) | Lavinia Meijer | D♭ Major | 0 | 3B | 141 BPM | ||
Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 3 | 8B | 85 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | B♭ Major | 1 | 6B | 64 BPM | ||
Violin Concerto No. 1 in E Major, RV 269 "La primavera": 1. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Stacey Watton, Maarten Jansen, Liz Kenny, Jan Jansen | E Major | 2 | 12B | 105 BPM | ||
Tivoli Dances: I. Santa Ana Freeway | Graeme Koehne, Tasmanian Symphony Orchestra, Richard Mills | F Major | 2 | 7B | 77 BPM | ||
Le Corsaire: Pas de Trois - Adagio | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 95 BPM | ||
Minuet in G Major, WoO 10, No. 2 | Ludwig van Beethoven, I Musici | G Major | 1 | 9B | 95 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Serenade in G Major, KV 525 for 2 violins, viola & bass "Eine kleine Nachtmusik": II. Andante | Wolfgang Amadeus Mozart, Philharmonia Quartet Berlin | C Major | 0 | 8B | 82 BPM |
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