"Piano Trio No. 2, Op. 100 in E-flat: Andante con moto" by Franz Schubert, Arthur Rubinstein was released on January 1, 1990. Since Piano Trio No. 2, Op. 100 in E-flat: Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rubinstein Collection, Vol. 73: Brahms Piano Trio No. 3; Schubert Piano Trio No. 2". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Piano Trio No. 2, Op. 100 in E-flat: Andante con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio No. 2, Op. 100 in E-flat: Andante con moto by Franz Schubert, Arthur Rubinstein having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème | Gautier Capuçon, Jerome Ducros | D♭ Major | 1 | 3B | 91 BPM | ||
Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39) | Johann Sebastian Bach, Martin Stadtfeld | G Minor | 1 | 6A | 79 BPM | ||
In the Hall of the Mountain King (From "Peer Gynt", Op. 23) | Edvard Grieg, Gautier Capuçon, Anouchka Hack, Aurélien Pascal, Caroline Sypniewski, Charles Hervet, Jeein You, Julia Hagen | A♭ Minor | 2 | 1A | 113 BPM | ||
Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第1曲 さすらい | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | F Major | 1 | 7B | 76 BPM | ||
Massenet: Thaïs, Act 2: Méditation. Andante religioso | Jules Massenet, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen | E Minor | 1 | 9A | 94 BPM | ||
Rodrigo: Concierto de Aranjuez: I. Allegro con spirito | Joaquín Rodrigo, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Major | 2 | 9B | 125 BPM | ||
Les Indes galantes, RCT 44, Act III: Danse du grand calumet de la paix en rondeau pour les sauvages | Jean-Philippe Rameau, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 2 | 11A | 97 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM |
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