"Massenet: Thaïs, Act 2: Méditation. Andante religioso" by Jules Massenet, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen was released on January 1, 2001. With this song being about 5 minutes long, at 5:17, "Massenet: Thaïs, Act 2: Méditation. Andante religioso" by Jules Massenet, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding's "Le Boeuf sur le toit" album is number 2 out of 8. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Massenet: Thaïs, Act 2: Méditation. Andante religioso is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Massenet: Thaïs, Act 2: Méditation. Andante religioso by Jules Massenet, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto In G Minor R439 Op.10 No.2 "La Notte": 3. Il sonno. Largo - Allegro | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 124 BPM | ||
Moon River (From "Breakfast at Tiffany's") | Henry Mancini, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | A Minor | 1 | 8A | 136 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | C Minor | 1 | 5A | 85 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Renaud Capuçon, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 73 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
L'invitation au château, FP 138: Acte 2: Tango | Francis Poulenc, Eric Le Sage | F Minor | 0 | 4A | 97 BPM | ||
Chaplin / Arr. Quint & Coleman: Modern Times: Smile | Charlie Chaplin, Renaud Capuçon | E♭ Major | 2 | 5B | 113 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM |
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