Marin Marais, Judith van Wanroij, Mathias Vidal, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet's ' "Ariane et Bacchus, Act V: Prélude et récit. Où sont-ils, ces amants dont je suis outragée ?" was released on its scheduled release date, March 17, 2023. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Ariane et Bacchus, Act V: Prélude et récit. Où sont-ils, ces amants dont je suis outragée ?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Le Concert Spirituel, Herve Niquet, Les Chantres du Centre de Musique Baroque de Versailles's "Marais: Ariane et Bacchus" album is number 38 out of 104. On top of that, France appears to be the country where this track was created. In terms of popularity, Ariane et Bacchus, Act V: Prélude et récit. Où sont-ils, ces amants dont je suis outragée ? is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ariane et Bacchus, Act V: Prélude et récit. Où sont-ils, ces amants dont je suis outragée ? by Marin Marais, Judith van Wanroij, Mathias Vidal, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
La Gamba In Basso, E Soprano (1564) | La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall, Fahmi Alqhai, Philippe Pierlot, Rafael Bonavita | D Minor | 0 | 7A | 176 BPM | ||
Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Paul O'Dette | D Minor | 2 | 7A | 87 BPM | ||
Concerto for violoncello piccolo in G Major, RV. 414: II. Largo | Antonio Vivaldi, Ophélie Gaillard, Pulcinella Orchestra | E♭ Minor | 2 | 2A | 99 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Les Folies d'Espagne (Transcribed for Cello & Harpsichord) | Marin Marais, Anastasia Kobekina, Emmanuel Arakélian | D Minor | 2 | 7A | 182 BPM | ||
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
Concert XLIV: Tombeau les regrets - Le tombeau des regrets | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | F♯ Minor | 0 | 11A | 70 BPM |