Nikolai Rimsky-Korsakov, Christian Lindberg, Tapiola Sinfonietta, Osmo Vänskä made "Trombone Concerto in B-Flat Major: I. Allegro vivace" available on March 31, 1993. The duration of Trombone Concerto in B-Flat Major: I. Allegro vivace is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Trombone Concerto in B-Flat Major: I. Allegro vivace's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Rimsky-Korsakov / Tomasi / Rota: Trombone Concertos". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Trombone Concerto in B-Flat Major: I. Allegro vivace's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Trombone Concerto in B-Flat Major: I. Allegro vivace by Nikolai Rimsky-Korsakov, Christian Lindberg, Tapiola Sinfonietta, Osmo Vänskä having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 122 BPM | ||
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 138 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | F Major | 1 | 7B | 113 BPM | ||
Piano Concerto No. 2 in F minor, Op. 21: III. Allegretto vivace | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 1 | 4A | 102 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
Sheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Peter Oundjian, Toronto Symphony Orchestra, Jonathan Crow | F♯ Major | 3 | 2B | 133 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM |
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