"Sheherazade, Op. 35: I. The Sea and Sinbad's Ship" by Nikolai Rimsky-Korsakov, Peter Oundjian, Toronto Symphony Orchestra, Jonathan Crow was released on August 1, 2014. Since Sheherazade, Op. 35: I. The Sea and Sinbad's Ship is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Rimsky-Korsakov: Sheherazade, Op. 35". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Sheherazade, Op. 35: I. The Sea and Sinbad's Ship's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sheherazade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov, Peter Oundjian, Toronto Symphony Orchestra, Jonathan Crow having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Scheherezade, Op. 35: II. The Story of the Kalendar Prince (Alternative Version) [Bonus Track] | Nikolai Rimsky-Korsakov, Borusan Istanbul Philharmonic Orchestra, Pelin Halkacı Alkın, Sascha Goetzel | E Minor | 0 | 9A | 121 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yevgeny Sudbin, BBC Symphony Orchestra, Sakari Oramo | C Minor | 1 | 5A | 82 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Gayane Suite No. 2: V. Lullaby | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Minor | 1 | 6A | 83 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Sir Simon Rattle, Wiener Philharmoniker | C Minor | 2 | 5A | 99 BPM |
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