Gerard Pastor, Marta Urzaiz made "Danses Imaginàries I. Dansa de Tardor" available on November 27, 2020. With Danses Imaginàries I. Dansa de Tardor being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 12 in Femina Feminae by Gerard Pastor, Marta Urzaiz. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Danses Imaginàries I. Dansa de Tardor is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Danses Imaginàries I. Dansa de Tardor by Gerard Pastor, Marta Urzaiz is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ciudades: III. Addis Abeba | Guillermo Lago, Fukio Ensemble | G Major | 4 | 9B | 101 BPM | ||
Sopra Demais o Vento | André Mehmari, Alejandro Aldana | D Major | 1 | 10B | 101 BPM | ||
Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): IV. Intermezzo | Erich Wolfgang Korngold, Patrick Savage, Martin Cousin | C Major | 0 | 8B | 86 BPM | ||
Erlkönig, D. 328 - Arr. for Sextet by R. Leleu | Romain Leleu Sextet, Romain Leleu | G Minor | 0 | 6A | 82 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 1 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Debussy: Sonata for Flute, Viola and Harp, CD 145, L. 137: III. Finale. Allegro moderato, ma risoluto | Claude Debussy, Markus Klinko, Benoît Fromanger, Pierre Lénert | E♭ Minor | 1 | 2A | 97 BPM | ||
Ravel: Vocalise-étude en forme de habanera, M. 51 (Version for Violin and Harp) | Maurice Ravel, Markus Klinko, Frédéric Laroque | E♭ Minor | 1 | 2A | 97 BPM | ||
Petite pièce, L. 120 | Claude Debussy, Michael Collins, Michael McHale | F Major | 1 | 7B | 113 BPM | ||
Capriccio No. 5 in La minore, Op. 1 | Gianluca Campi | A Minor | 4 | 8A | 97 BPM | ||
Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 21, Das Wirtshaus | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | E Major | 0 | 12B | 115 BPM |
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