Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones's 'Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 21, Das Wirtshaus' came out on May 17, 2024. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Schubert Reimagined". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 21, Das Wirtshaus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 21, Das Wirtshaus by Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
4 Impromptus, Op. 90, D. 899 (Arr. I. Jones): No. 2 in E-Flat Major | Franz Schubert, Ieuan Jones | A♭ Major | 1 | 4B | 145 BPM | ||
Trois romances, Op. 22: I. Andante molto | Clara Schumann, Duo Alma | D♭ Major | 0 | 3B | 74 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 6 in A-Flat Major. Allegretto (Arr. I. Jones) | Franz Schubert, Ieuan Jones | A♭ Major | 1 | 4B | 145 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
12 Variations for Violin and Piano on "La bergère Célimène", K. 359: Var. 11. Adagio | Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien | G Major | 0 | 9B | 104 BPM | ||
Distant | Misya | B Minor | 1 | 10A | 100 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
The Four Temperaments for Piano and String Orchestra: Var. 3. Phlegmatisch. Moderato | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | F Minor | 1 | 4A | 135 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM |
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