"Schwanensee, Op. 20: Act II: By a Lake: Scene: The swans swim on the lake" by Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard was released on October 24, 1990. The duration of Schwanensee, Op. 20: Act II: By a Lake: Scene: The swans swim on the lake is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Schwanensee, Op. 20: Act II: By a Lake: Scene: The swans swim on the lake's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Tchaikovsky: Swan Lake (Complete Ballet)". In this album, this song's track order is #11. Schwanensee, Op. 20: Act II: By a Lake: Scene: The swans swim on the lake is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanensee, Op. 20: Act II: By a Lake: Scene: The swans swim on the lake by Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
BOCCHERINI-MINUET FROM STRING QUINTET | 101 Strings Orchestra | A Major | 1 | 11B | 86 BPM | ||
The Sleeping Beauty, Op. 66a: No. 5, Waltz | Orchestra da Camera Fiorentina, Giuseppe Lanzetta | B♭ Major | 2 | 6B | 175 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | D Major | 3 | 10B | 83 BPM | ||
The Snow Maiden Suite: Danse des bouffons (Dance of the Clowns) | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Donald Johanos | E♭ Major | 4 | 5B | 97 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Scheherazade, Op. 35: The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergei Levitin, Mariinsky Orchestra, Valery Gergiev | F Minor | 1 | 4A | 79 BPM | ||
Berlioz: La damnation de Faust, Op. 24, H 111, Pt. 1: Hungarian March | Hector Berlioz, London Philharmonic Orchestra, Ben Gernon | A Major | 3 | 11B | 87 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM |
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