- BPM
- 170
- Key
- E♭ Major
- Camelot
- 5B
Le Corsaire: Act II - "6. Grand Pas: Variation: Conrad" - Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes Information
- Acousticness
- 97%
- Danceability
- 29%
- Energy
- 10%
- Instrumentalness
- 1%
- Liveness
- 14%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 61%
- Popularity
- 10%
- Loudness
- -25.332 dB
Summary
Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes made "Le Corsaire: Act II - "6. Grand Pas: Variation: Conrad"" available on October 14, 2011. With Le Corsaire: Act II - "6. Grand Pas: Variation: Conrad" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 6 out of 70. The popularity of Le Corsaire: Act II - "6. Grand Pas: Variation: Conrad" is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Le Corsaire: Act II - "6. Grand Pas: Variation: Conrad" BPM
We consider the tempo marking of Le Corsaire: Act II - "6. Grand Pas: Variation: Conrad" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
Le Corsaire: Act II - "6. Grand Pas: Variation: Conrad" Key
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sinfonia in F Major: I. Allegro | Theodor von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | G Major | 3 | 9B | 129 BPM | |
 | La Bayadere, Act I, Scene 1: 11. "Pas De Deux, Nikiya and Solor Continued" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 1 | 10B | 137 BPM | |
 | Giselle: Act I: Moderato | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 2 | 5B | 174 BPM | |
 | Raymonda, Act I: Variation 3 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | G Major | 1 | 9B | 82 BPM | |
 | Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 137 BPM | |
 | La bayadère, Act II: "Variazione Gamzatti" | Silvano Belfiore | A♭ Major | 4 | 4B | 86 BPM | |
 | Romeo and Juliet, Op. 64 - Act 1: Arrival Of the Guests | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 92 BPM | |
 | Symphony No. 2 in E-Flat Major: III. Allegro | Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Major | 0 | 1B | 70 BPM | |
 | Bridal Procession, Op. 19 No. 2 | Edvard Grieg, Yuri Temirkanov | A♭ Major | 0 | 4B | 72 BPM | |
 | Le carnaval des animaux, R. 125: V. L'Eléphant | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | E Major | 0 | 12B | 60 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7227270603179932
End: 0.7392275333404541