"Let 'Em Eat Cake: The League of Nations" by George Gershwin, Michael Tilson Thomas, George Dvorsky, Maureen McGovern, Larry Kert, Jack Dabdoub, New York Choral Artists was released on 1976. With Let 'Em Eat Cake: The League of Nations being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Gershwin, Michael Tilson Thomas's "Michael Tilson Thomas Conducts Gershwin" album is number 17 out of 90. On top of that, United States appears to be the country where this track was created. In terms of popularity, Let 'Em Eat Cake: The League of Nations is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Let 'Em Eat Cake: The League of Nations by George Gershwin, Michael Tilson Thomas, George Dvorsky, Maureen McGovern, Larry Kert, Jack Dabdoub, New York Choral Artists to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Concerto in F: 3. Allegro agitato | George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester | B♭ Major | 3 | 6B | 139 BPM | ||
Golliwog's Cake-walk | Claude Debussy, Bruno Fontaine | D♭ Major | 1 | 3B | 150 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Glinka: Overture from Ruslan and Ludmilla | Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani | D Major | 3 | 10B | 76 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Ave Maria, CG 89a | Johann Sebastian Bach, Charles Gounod, Ludmila Peterková, Irina Kondratenko | C Major | 0 | 8B | 133 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM |
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