Mario del Monaco, Mario del Manaco, Annunzio Mantovani's 'Love's Last Word Is Never Spoken - Original' came out on June 19, 2020. The duration of Love's Last Word Is Never Spoken - Original is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Love's Last Word Is Never Spoken - Original's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario del Monaco, Mario del Manaco's "Mario del Monaco with Mantovani - A Song for you/ Italia Mia" album is number 3 out of 21. Love's Last Word Is Never Spoken - Original is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Love's Last Word Is Never Spoken - Original by Mario del Monaco, Mario del Manaco, Annunzio Mantovani to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia: Mi par d'esser con la testa - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 5 | 2B | 86 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
La forza del destino / Act 3: "La vita è un inferno...O tu che in seno agli angeli" | Giuseppe Verdi, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Major | 2 | 5B | 85 BPM | ||
«Ninon» | Leo Nucci | E Major | 1 | 12B | 168 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Il Tabarro: To! Guarda La Mia Vecchia! | Silvio Maionica, Lucia Danieli, Robert Merrill, Mario del Monaco, Renato Ercolani, Lamberto Gardelli, Orchestra del Maggio Musicale Fiorentino | C Major | 5 | 8B | 81 BPM | ||
Rigoletto / Act 1: "Questa o quella" | Giuseppe Verdi, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | A♭ Major | 3 | 4B | 97 BPM | ||
Fedora / Act 2: Intermezzo | Umberto Giordano, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 123 BPM | ||
La Traviata - Extraits: Prélude | Ambrosian Opera Chorus, Alfredo Kraus, Riccardo Muti, Renata Scotto, Philharmonia Orchestra | B Major | 3 | 1B | 117 BPM |
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