Wolfgang Amadeus Mozart, Simon Keenlyside, Patrizia Pace, Chamber Orchestra of Europe, Claudio Abbado's 'Don Giovanni, K.527 / Act 1: "Alfin siam liberati"' came out on January 1, 1998. The duration of Don Giovanni, K.527 / Act 1: "Alfin siam liberati" is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Don Giovanni, K.527 / Act 1: "Alfin siam liberati"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Chamber Orchestra of Europe, Claudio Abbado's "Mozart: Don Giovanni" album is number 14 out of 60. Based on our statistics, Don Giovanni, K.527 / Act 1: "Alfin siam liberati"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Don Giovanni, K.527 / Act 1: "Alfin siam liberati" by Wolfgang Amadeus Mozart, Simon Keenlyside, Patrizia Pace, Chamber Orchestra of Europe, Claudio Abbado to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Mass in C Major, K. 317 "Coronation": II. Gloria | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert, Trevor Pinnock, The English Concert Choir | G Major | 3 | 9B | 138 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Oboe Concerto in C Major, K. 314: III. Rondo (Allegretto) - Cadenza: Randall Wolfgang | Wolfgang Amadeus Mozart, Randall Wolfgang, Orpheus Chamber Orchestra | C Major | 1 | 8B | 118 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | ||
The Four Seasons, Violin Concerto No. 4 in F Minor, RV 297 "Winter": II. Largo | Antonio Vivaldi, Dmitry Sinkovsky, La Voce Strumentale | E♭ Major | 1 | 5B | 83 BPM | ||
Prelude & Fugue in C Major (Well-Tempered Clavier, Book I, No. 1), BWV 846: Prelude | Johann Sebastian Bach, Wilhelm Kempff | C Major | 1 | 8B | 102 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM |
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